During my crowdfunding campaign there have been peaks and valleys, days of fruitful contributions and days when I wondered where all the YA fans had gone. What looks initially like rejection or indifference, we discover is simply a sign that busy people are attending to the events of their day-to-day lives.
I stand in awe of the work of Newell Convers Wyeth. His work is loose, alive –– attentively observant of light and shadow, expressive, deceptively simple yet sophisticated in detail. Wyeth’s compositions never lose focus upon their centre of interest, and they are always full of movement. We can all stand to take a page from N.C. Wyeth’s book of mastery and apply his library of examples to our own work.
What goes into a good composition? I could wax poetic about how the golden ratio has been used for centuries to create dynamic compositions; or about balancing the sizes of your objects, or where to place your horizon line. But there are more than enough authors and teachers online that do a better job than I ever could. The same goes for how to structure a written composition.
Lewis was an atheist whose friendship with J. R. R. Tolkien influenced him to embrace Christianity. Every so often one reads internet reports of the urge to make C. S. Lewis more “marketable” and less “hurtful” by expunging any Christian reference from his work or banning The Chronicles of Narnia from bookshelves.